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dscooperbooks

~ author D. S. Cooper

dscooperbooks

Tag Archives: Self Publishing

Bad Breakup

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Posted by Doug in A Writer's Life, D. S. Cooper Books, Self Publishing, This Writer's Life, Writing

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Fiction Writing, Nantucket Rampage, Self Publishing, Terrorism, White Nationalism

Breakup

This time around, letting go isn’t easy.

Today I’m sitting on my patio with the final draft of a project titled NANTUCKET RAMPAGE, Terror On The Island Ferry, which I am sending out for editing. I’ve been working with these characters for months, so it’s a bittersweet moment. I’m always happy to finish a novel, but this is a one-off story and I don’t see any way to use these people who I have come to love in another book:

Dana McSorley is a high-spirited sailor with a red pony tail and a tragic past, who carries a razor-sharp sheath knife in the small of her back.

Ship’s cook Justin Boudreaux serves gumbo straight out of the French Quarter in his galley while playing cards and hustling pennies from the crew.

Chief Engineer Bo Diddley Jacobs is a thoughtful and hard working old man who defends his engine room from the terrorists like a young lion.

Maritime cadet Todd Bell is a teenager with a passion for ships and the sea struggling to fit in with the older crew.

Katarina Dalca is the Romanian beauty who puts her life on the line to speak for the passengers who have become hostages to a white nationalist cult.

Before this project I was mostly writing books in a series, and the beauty of that is that the core characters are yours to keep. You know them like old friends; their traits, habits, and speech patterns are totally predictable and when you confront them with a new situation (another plot) they write their own stories. The next volume in the series will always give them another chance at shame or redemption, and love or loss, which makes the writing fun.

Not so for this project. Once the book is published the characters are no longer mine. I don’t want to let them go, but they are done with me because they only work together, as the offbeat crew of the ferry NIGHTHAWK. And some of them have to die.

.

 

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The U-Boat In My Backyard

05 Sunday May 2019

Posted by Doug in D. S. Cooper Books, This Writer's Life, Writing

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Amateur sleuth mystery, Fiction books, Military History, Self Publishing, Writing

Seventy-four years ago today, on May 5th 1945, days after Hitler’s death and the fall of the Nazi Third Reich, Admiral Karl Donitz gave the order for all U-boats to cease offensive operations and return to their bases. U-853 was on its third wartime patrol that same hour and either did not receive, or ignored, Donitz’s order. After the sinking of the SS BLACK POINT within sight of the Point Judith Lighthouse in Rhode Island, many US Naval units descended on the U-853 and sank her in shallow water 7 miles east of Block Island, with all 55 crewmen remaining aboard.

“In My Backyard” may be a stretch, but I’ve lived close to the wreck of the U-853 for much of my life. Forty years ago I used to pilot boats from the Coast Guard Station at Point Judith over a spot marked “Unexploded Ordnance May 1945” on the chart of Rhode Island Sound, and years after that I was a crewman on the Coast Guard Cutter EAGLE, ex-HORST WESSEL, which had been used by the Nazis to train submariners for WWII; making the entombed crew of the U-853 members of my extended family of shipmates, several generations removed. (You can read about the EAGLE–HORST WESSEL connection on my website.)

That’s why my one dive to the wreck was an eerie experience that I don’t wish to repeat; and it is why I had to write a novel that imagines a connection between this enigmatic U-boat and current events. Hence my latest book is THE RULES OF FATE: A Mystery From The Sea.

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First Draft

03 Saturday Feb 2018

Posted by Doug in D. S. Cooper Books, This Writer's Life

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eBooks, Fiction Writing, Novels, Self Publishing, Writing

I am totally stoked about writing and self-publishing right now, because I cleared two giant hurdles today.

First, I finally finished the first draft of a project I’ve been working on for months, and some of it was pretty tough going. Characters are half the battle, but this was a sequel, so they already had their voices and it was easy for them to carry the story much of the way. But the flip side is that I’m writing thrillers, so throttling the clues and reveals to a pace that will hold the reader’s interest is equally challenging to characterization. A sentence in the next to the last chapter can change everything that came before, so leaving a twisting but steady trail of breadcrumbs to the surprise ending sometimes requires backtracking and revision.  That’s why I try to rough-out each scene, print it out, and add it to a stack of loose paper. Then I can come back, make changes with a pen, and then go back to the computer and smooth out the narrative scene by scene and chapter by chapter. At some point the dialogue and action are semi-polished and fit together on a tight timeline, and that’s my first draft. I  clip it together on the computer and print it out as one big document, along with a cover which is usually finalized by my graphic artist by then.

I have a comb binder that I used today to seal the deal on the first draft, so now I have something that looks like a book and feels like a book that I can hold and read and reflect upon.  There’s plenty of work yet to be done, but I can carve on this manuscript for spelling, grammar and continuity, from cover to cover. I can get help with the Spanish phrases and hand it to my first readers for their perusal. Most of all, I can turn the pages and read it again and again myself, which I like to do before sending the final draft out for line editing and formatting.

So binding the first draft together this morning was a big deal, and that would have been a pretty darn good day in itself. But an eMail from Amazon made this a banner day for all self-published authors.

Up until now, author copies–for the cost of printing and postage alone–have been available for paperbacks published in Amazon CreateSpace, but not in the Kindle Store, where we’ve had to pay Amazon prices for our own books. This has been a real problem for author/publishers like myself, who would very much like to offer the eBook and paperback versions of our work on one sales page in the Kindle Store, which makes it easier and more cost-effective to advertise. Considering the margins that we work with, every penny counts.

Huzzah! As of this morning I can purchase my own books from the Kindle Store at “cost” to gift to friends or to offer for sale in my hometown bookstore, because believe me, there is nothing like strolling into a bookstall and seeing your titles on the shelf next to the heavy hitters.

So yea, I’m amped up for the next book.

doug@dscoooperbooks.com

 

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We Actors

16 Saturday Dec 2017

Posted by Doug in D. S. Cooper Books, This Writer's Life

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eBooks, Fiction Writing, Novels, Self Publishing, Writing

tragedy

Have you ever noticed how many good writers have done a little acting or played in a band or orchestra? Whether it was a school drama club, a garage band or an Off-Broadway production, writers often have a history of performing in front of an audience.

I think we writers are all actors and directors at heart, since our craft requires the same pace of rising and falling emotion, and timing, as a stage play. We pull scenery and actors out of our imaginations and then act out our stories–on stages which exist only in our minds–before we put them on paper.

This can be a problem.

I don’t know about you, but I could never write in a public place, because I can’t resist hum-mumbling the dialogue as it appears on my computer screen. I’d be embarrassed if anyone ever saw how animated I can be when I write, nodding my head, raising my hands and scratching my brow. Also, I like to have LOUD jazz or rock ‘n roll music playing when I’m searching for the words, although, since I like to be seated at my writing station by 5:30 am, the neighbors are not always big fans of my work ethic.

So, maybe you could think of your writing as a non-simultaneous performance art. Sure, there is a little time delay between you and your audience, but once you publish, we can still see into your soul.

doug@dscooperbooks.com

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Sixty Page Novels

30 Wednesday Aug 2017

Posted by Doug in D. S. Cooper Books, This Writer's Life

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eBooks, Fiction Writing, Flight From Katama, Kindle, Novels, Self Publishing, Whom Fortune Favors, Writer's solitude, Writing, Writing projects

I once read that many neophyte authors get sixty pages into their novel before they find themselves lost in the labyrinths of storytelling and get discouraged. Sixty pages may be anecdotal, but it sounds about right to me, and I ought to know, because I’ve spent decades discarding stillborn books. Lord knows how many pages I’ve tossed into the recycle bin, but the bundles usually did seem to average sixty to one hundred pages.

After my accident I had plenty of time to write, so I rolled my wheelchair up to the dining room table and started writing scenes and dialogues for a novel, in no particular order, whenever inspiration struck. When I pulled it all together, the result was 1,760 typewritten pages! That technique got me past the sixty-page barrier, but the result was awful. I could have spent years polishing that manuscript as a no-name unpublished author, but instead I started writing shorter “quick-reads” to see what self-publishing was all about. My first book was only 15,000 words and used characters based on some of the kids I knew when I was living and flying on Cape Cod, decades earlier, to play off the Chappaquiddick Incident. Flight From Katama taught me how to finish stories and publish them on Kindle and Createspace. I’m not getting rich or famous, but I am enjoying the writing immensely.

So would you think that my days of not finishing a story are over? Hardly! Sometimes you just need to decide that a project isn’t working and move on to something else. The beauty of writing in the electronic age is that you can easily use some of those gems later, in another setting.

The key point, for me, is to keep writing something, every day.

When I was a teenager I’d get so enthused about books that I would write to the author. Every one of them wrote back, but only one offered to meet me. Dick Bach was a Flying Magazine editor and author of Stranger To The Ground, an aviation classic and a book that really moved me when I was sixteen years old. Dick lived in Iowa but he just happed to be in New York working on a new book about JFK Airport when we met for lunch. It was going to be an in-depth study of a major metropolitan airport, although he lamented that the Arthur Hailey novel Airport had just been made into a blockbuster movie, so he would probably put his project aside and work on something else. Then we spent a few hours talking not about airplanes and flying, but about metaphysical matters; self-levitation, suspended animation, walking through walls, and so forth. As far as I know, Dick never wrote the book about an airport.

Of course, Dick Bach was Richard Bach, and his next book was Jonathan Livingston Seagull, which shocked the publishing world and launched millions of people on voyages of self-discovery.

So we should all have the courage to put our pet projects on the shelf and launch onto something new.  We can’t go wrong if we just keep writing, writing, and writing.

 

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The 7-36-21 Challenge

19 Saturday Aug 2017

Posted by Doug in D. S. Cooper Books, This Writer's Life

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eBooks, Fiction Writing, Self Publishing, Writer's solitude, writer's voice, Writing

It’s all been done before – let’s get that straight from the start. Google estimates that 129,864,880 books have been published in the modern era, with 62,000 new novels (by some estimates) appearing each year, worldwide. So for those of us who dare to write novels, screenplays, epic poems and comic books, coming up with something fresh and new isn’t easy.

Of course, readers like to know what they are getting when they open a book, so we mostly classify our writing into genres for marketing purposes, such as mystery, thrillers, romance and so forth. But the real driving force behind writing is our theme. What are we saying about courage, discovery, death, escape, love, loss, good versus evil, coming of age, or any other aspect of the human condition? How do we craft a plot and dramatic situations to express our theme?

While there may be a plethora of themes, English writer Christopher Booker has proposed that all fiction can be boiled down to seven basic plots. In his aptly named book The Seven Basic Plots: Why We Tell Stories (2004) Booker offers these categories of plots (with my examples):

(1) OVERCOMING THE MONSTER: Beowulf to Star Wars, (2) RAGS TO RICHES: The Prince and the Pauper to Cinderella, (3) THE QUEST: The Iliad to Lord of the Rings, (4) VOYAGE AND RETURN: The Odyssey to The Wizard of Oz, (5) COMEDY: A Midsummer Night’s Dream to Bridget Jones Diary, (6) TRAGEDY: Macbeth to Breaking Bad, and (7) REBIRTH: Beauty and the Beast to How The Grinch Stole Christmas.

That may be, you say, but surely there are an infinite number of situations for our characters, are there not? Isn’t this dilemma I’ve imagined for my protagonist unique?

Actually, no. In The Thirty-Six Dramatic Situations, Georges Polti (b. 1867- d. 1946) established an enduring list of dramatic situations, used by writers and playwrights to this day. Some examples are Ambition, Madness, The Enigma, Deliverance, Murderous Adultery, Conflict With a God, and Crimes of Love. The list is available in several places online, so if you keep it handy you will quickly recognize each situation in the writing of your favorite authors and in your own work. That way when you are writing a scene or a dialogue, it may be new to your characters, but deep down, you will know that a million other authors have written about the identical dramatic situation.

By the way, it was Crimes of Love (a Lover and a Beloved initiate a romantic relationship which breaks a taboo) that got me thinking about this, because my next book opens with a flashback of two teenage cousins getting randy in a the courtyard between their family homes. It wasn’t until I went back to review the text that I realized I just wrote  about a Crime of Love! How cool is that?

Now, I don’t pretend to be a literary talent, by any means. I self-publish simple eBooks and print-on-demand paperbacks, with a modest but faithful readership. What little I know about writing has come from a lifetime of thoughtful and voracious reading. So when I sit down at my station in the morning I know that it has all been done before. All I can do is try to write truthfully and clearly in my own voice, which is as unique in the universe as your own. I hope you do the same. It helps us both to know where the guardrails are; namely seven basic plots, thirty-six dramatic situations, and twenty-one letters in the alphabet to work with, every day.

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I’M WATCHING YOU

01 Tuesday Aug 2017

Posted by Doug in D. S. Cooper Books, This Writer's Life

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Amazon Kindle, eBooks, Fiction Writing, Self Publishing, Writing

“Where did you come up with this story?” A friend commented, after reading my new novel, Whom Fortune Favors. “I never knew you had this much imagination.”

Now, I’ll take a compliment any day, even if it is not quite accurate. So I didn’t correct my friend by saying that when it comes to writing fiction, I’ll choose observation over imagination every time; because stories worth writing are everywhere around us, in our families and friends and the untold trials and triumphs of the people we see every day. Far from sitting at home imagining things, we writers are more likely to find inspiration by thoughtfully listening to someone who despises us for who we are, or how we look, or for the ideals we hold. Our best stories happen when love and understanding overcome ignorance and hate.

If you identify as a writer, you’ve probably already met someone with “a great idea for a book.” They may sit at the bar and relate the action and events of a complex plot until your eyes glaze-over. That’s imagination. But these barstool authors seldom describe the depths of their characters; the motivations, obsessions, fears and compulsions of the people they are writing about. That’s observation. And observing the human condition is the only way to give depth to characters whose voices will advance our plot through dialogue.

Of course, writers like Ray Bradbury, J.R.R. Tolkien and J.K. Rowling can floor us with imaginary landscapes and creatures. But I believe that they are actually the keenest observers of all, because when I read Harry Potter I am in the head of a pre-adolescent with an unhappy home life who is discovering his magical powers. Hermione, Ron Weasley and Draco Malfoy are as real as the kids playing next door, and I’m pretty sure I’ve seen Dumbledore and Hagrid in mufti at the local supermarket. When Rowling writes dialogue, I’m in that conversation. That is why J.K. Rowling is a genius; she makes her characters so genuine and familiar that we hardly notice that the magical spells and fantastical beasts are not real.

That is what observation does for us – it gives us insight into the human condition – and helps us to understand how people react to events and relate to each other in the crisis points and sweet moments of their lives.

Isn’t that what we really want to write about?

 

 

 

 

 

 

 

 

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Write of Passage

22 Saturday Jul 2017

Posted by Doug in D. S. Cooper Books, This Writer's Life

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eBooks, Kindle, Self Publishing, Writing

Everybody likes free stuff, unless it is their stuff being given away by other folks. So when I Googled my pen name and “free” I was a bit miffed to see my books being offered for free as a “Kindle [pdf]” at various places on the internet.

You may know about these online bulletin boards, where college kids seek free copies of the textbooks and other published works which–in their minds–they are entitled to.  For €99 a subscriber can download thousands of “pirated” books which have been posted there. So, two things: If you self-publish your books online you might want to check to see if your projects are available (supposedly) elsewhere. And (2), if someone is offering your book for “free,” relax. It is probably a scam which will only burn the subscriber.

Take Usenet.nl, for example. The front for this bogus company is located at Via XXV Marzo, 4 Domangano, San Marino Italy, which I discovered when I saw that they were offering several of my books free of charge, with a subscription to their service. However, the RIPOFF REPORT website shows that this is a scam which never delivers a product and does not allow users to unsubscribe after they provide their credit card information for a “free” 14 day trial. In fact, Usenet.nl is basically a collection agency which wears subscribers down until they cancel their credit cards.

How about Motoauthority.com? This is another slick scam, piggybacking on the legitimate websites of Motorauthority.com (with an r) and Moto-authority.com (with a -), which are very reputable on-line providers of aftermarket motorsport products. The crooked website with the slightly different name would have you believe that they have converted your eBook to a pdf for redistribution, but in my case, that was nonsense. What they DID do was to skim the information about my book from my author website, which is why I don’t post sample passages any longer.

So, relax. This happens to every author as a “write” of passage once we publish on the internet. The crooks probably don’t actually have that novel you poured your heart and soul into and their shenanigans will not effect your sales in the least.

I, for one, just laughed it off. Hey, I’m so famous now that people all over the world are clamoring for copies of my books! Sure. Right …  if only THAT was true.

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My Unknown Shipmate

05 Friday May 2017

Posted by Doug in D. S. Cooper Books, This Writer's Life

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Amazon Kindle, eBooks, Self Publishing, U-Boat, World War II, Writing

Shipmate

The Second World War ended five years before I was born, so when I literally stumbled over this gravestone I was both mystified and intrigued. How did a German U-boat sailor find his eternal rest behind a gas station at the corner of Farewell Street and Van Zant Avenue in Newport, Rhode Island?

This was in the summer of 1972 when I was young and newly enlisted in the US Coast Guard. I never would have noticed the grave in the small military cemetery had I been travelling back to my ship by automobile, but in those carefree days my friends and I got around quite handily by walking and hitchhiking. And since there was no internet, I had to ask some of my older shipmates to learn that, yes, a U-boat had indeed been sunk near Block Island in the closing days of the war.

Some years later I was steering a Coast Guard 40 foot utility boat across Rhode Island Sound when I noticed a magenta warning on the chart, “UNEXPODED ORDINANCE, MAY 1945.” Some of the saltier fishermen in Point Judith remembered the two day bombardment which had sunk the U-853. Others had tales of U-boat sightings close to shore on misty mornings, and even of being approached by German sailors looking for any fresh bread, milk or eggs that the Rhode Island men might have aboard their trawlers. There were also two huge bronze propellers, said to come from the fabled U-boat, on display in front of a dive shop on Thames Street in Newport.

The U-853 was calling to me.

When I finally dove to the sunken wreck, it was with a group of divers from Connecticut who claimed to have abundant deep diving experience. But when we got down to the U-853 in about one hundred feet of water, it was little more than an eerie pile of rusty steel melting into the bottom, where men had died and were still entombed. My not-so-experienced companions quickly gulped most of the air out of their dive bottles by blowing giant bubbles from their regulators while rooting around for souvenirs on a former mother lode of relics which had long ago been stripped clean. It was almost immediately time to go up, which was fine with me even though I still had plenty of air, since my overwhelming impression of the experience was, I shouldn’t be here.

Still years later I was a crewmember on the US Coast Guard’s sail training ship Eagle for a port call in Hamburg, Germany, which coincided with the 60th anniversary of the Eagle’s launching there as the Segelschulshiff Horst Wessel. We were graciously received by the City of Hamburg and many people were delighted to see “their” ship once again. Of course everyone in the Coast Guard knows that the Eagle once sailed under the Nazi flag and that it was taken from the Kriegsmarine as a war prize after WWII. Many of the Eagle’s current crew are familiar with the subtle reminders of the Horst Wessel which have been covered, painted over or redesigned — like a bad tattoo — to fit the ship’s new American image. But when we were shown a long-lost newsreel of the Horst Wessel being launched, and then stood at the very spot in the Blohm&Voss shipyard where Adolph Hitler and Rudolf Hess had stood in 1936 to cheers of “Zeig Heil!” as our ship slid down the ways … that made the hair on our necks stand up.

We were also privileged to meet several old men who had sailed on Horst Wessel, back in the day. Most of them had volunteered for the Kriegsmarine late in the war, when Horst Wessel was armed with anti-aircraft guns and sent into the Baltic with a crew of raw recruits. Few survived the war, but they felt young again to stand on the decks as our shipmates, as surely as if our service to the ship was not separated by six decades. This is the way of a square-rigger, after all, where tradition and the lore of the sea dictate a common bond among all who have served under sail, everywhere and always.

So for many years I have considered the entombed sailors in the U-853 to be my unknown shipmates. Nearly all of them had trained aboard Segelschulschiff Horst Wessel. They had stood watches on the same decks, climbed the same masts to set the sails, and had held the spokes of the same ship’s wheel in their hands, as had I aboard the Eagle.

Which is why I sat down and wrote The Sailmaster as my therapy.

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I am not D. B. Cooper

29 Saturday Apr 2017

Posted by Doug in D. S. Cooper Books, This Writer's Life

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eBooks, Flying, Self Publishing, Writing

Forty-six years ago a man calling himself Dan Cooper bought a ticket on Northwest Orient Airlines Flight 305 from Portland to Seattle for $20 cash and walked onboard a Boeing 727 with a bomb-like device in his carry-on briefcase. After takeoff he demanded that the airplane should land to be refueled for a flight to Mexico, at which time he allowed the passengers to disembark in exchange for two parachutes and $200,000 in cash. After the airplane returned to the sky, he lowered the aft boarding stairway and was never seen again.

Whether by mistake or design, it was some wag in the news media who coined an alias-within-an-alias when he gave the hijacker the familiar epithet “D. B.” Cooper.

For two decades after the hijacking, upon learning that that my name was Cooper, a new acquaintance would invariably ask, “Are you D. B. Cooper?” Or, “Any relation to D. B. Cooper?” This was all in jest, of course, since I’m five or ten years too young, one or two inches too short, and my eyes are way too blue to be DB. Not to mention, how could any of us be related to an alias? However, those little icebreakers often worked in my favor when they made it easy for me to talk with new friends, and gave them a hook to remember my name.

You might say that DB gave me the gift of gab, even if I had to start every conversation with no, I am not D. B. Cooper.

It wasn’t until five years ago that the hijacker’s faux moniker became a more serious issue for me, when I decided to self-publish my books. Early in the process,  I learned that there was a platoon of writers on Amazon Kindle and Create Space named Doug Cooper, or Douglas Cooper, or Douglas S. Cooper, or D. Scott Cooper,  ad infinitum.  In fact, the only variation of my name that wasn’t being used by another author was D. S. Cooper. So, what the heck. After all, initials worked pretty well for E. B. White, A. A. Milne, C. S. Lewis, H. P. Lovecraft and H. G. Wells.

Of course, I wasn’t counting on the sheer tonnage of words that have been churned out about DB over the years, which now take precedence over my pen name on every search engine. So, if you look online for books by D. S. Cooper you’ll have to get past a plethora of books about D. B. Cooper, of which there may be no end.  It seems that some devotees will always keep the flame for the DB myth, especially after eight-year-old Brian Ingram found fragments of twenty-dollar bills bearing the serial numbers of the Flight 305 ransom on the banks of the Columbia River, nine miles downstream from Vancouver in February of 1980. I have no idea how they got there.

Here’s the thing:  It is too late for me to change my copyrights, covers, ISBN numbers and so forth, so I guess I’ll just ride out the name confusion and keep writing as D. S. Cooper.  I’m not sure if it’s helping or hurting my book sales, but I can tell you for sure that I am not D. B. Cooper.

Since everybody of a certain age seems to have a pet theory about DB, here’s my take: The Flight 305 skyjacking was an incredibly stupid misadventure by a man who knew a little bit about a lot of things (more Cliff Clavin than James Bond) and got in way over his head. My best hope for the poor guy is that he never deployed his parachute and that he perished before impacting the brutally unforgiving terrain upstream from where those fragments of ransom money were found.  The important thing to remember is that I am NOT D. B. Cooper.

And the next time you endure TSA security screening at the airport, give a nod to good old DB, because the  Federal Aviation Administration first mandated the examination of all carry-on baggage a few days after my — I mean his — nutty stunt.

 

 

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